That Floating Excrement Was Way Too Symbolic! It's the Television Disappointments of the Year.

Looking back, we consider the TV landscape of the past year, a selection of shows stand out not for their brilliance, but for their notable shortcomings. Ranging from awkward sequels to bafflingly poor documentaries, here are the programmes that left us scratching our heads or just reaching for the remote.

The 'Sex and the City' Sequel

Where to begin with this love/hate spin-off? Plagued with woeful writing, cringe-inducing character development (we demand better for Miranda!), and a mere 71 seconds of beloved Samantha, the show fought to justify its existence. Briefly, as the final series began, it looked like it had at last hit its stride. Then came an episode centered on Seema’s natural deodorant. Little surprise the showrunner announced this would be the final series. It ended on a low point; the closeup of Miranda’s toilet flooded with poo was just way too symbolic. Still, fans certainly found joy picking apart every single “what on earth?” moment. And as Carrie – a single woman once more – danced around her sprawling townhouse to Barry White, who couldn't let out a small sob?

The Kim Kardashian Drama

‘Is Kim Kardashian an actress? Of course she can’t.’

But that was almost the least of this show's problems. The subject of a exceedingly uncommon zero star assessment, it was hard to know where to start listing the flaws. The laughably leaden writing? The tedious glorification of affluence and materialism? The seemingly deliberate parade of tropes? Performances so poor they felt almost malicious? Let’s just say “each and every one” and forget about this series again. However, a new season has been ordered, so we’re probably going to have to.

The Charlie Sheen Documentary

Considering the legal troubles, domestic violence allegations and parental shortcomings, it’s fair to say Charlie Sheen has been a bad boy. Not that you’d truly have gleaned it from this three-part docuseries which smirked its way at Sheen’s various bouts of self-destructive hedonism while struggling to tell us a single thing we weren't already aware of. Instead, it felt as if this volatile personality was being pandered to, so any sympathy this show might evoke should be reserved for the people who have had to endure proximity with this charming but flippant narcissist.

The Iris Affair

Of course we knew it was ridiculous from the get-go: a thriller about a supercomputer known as Charlie Big Potatoes that could either save the world – or annihilate all of humanity. We persevered out of pure love for its stars … but by the end, it felt like even they had given up trying. One barely reacted when his character died, and the other ultimately slicing Charlie with an axe … in super slow-motion. That's what you call admitting defeat.

MobLand

Shady characters convening in empty boxing gyms? A certain band's Firestarter blaring in club scenes? The late 90s called and demands its crime drama back.

Actually, that is unfair on the crime shows of the late 90s. Many look a bit dated now, but at least they didn’t suffer the embarrassment of having to indulge baffling dialects. But there were plenty of other issues. Mainly that it was just really boring; a conflict over drug-selling territory between various cockney rogues which seemed a bit basic.

With Love, Meghan

Given the degree to which she provokes the ire of the nation’s performatively angry commentators, it’s temptingly easy to admire the Duchess of Sussex’s various ventures into twee lifestyle as deliberate provocations. But then you view them and are forced to admit that in this case, they may have a point. It’s like watching a lifestyle magazine animated; a meme for wine o’clock with delusions of grandeur; a procession of snoozing dogs, buzzing beehives, Hallmark platitudes and pointless crafting “hacks” you’ll forget instantly. All supported by immense, mostly undeserved wealth. Ugh.

The Beckham Documentary

There are obviously interesting things to be discussed about regarding Victoria Beckham and her struggles with vocation, identity, self-worth. But for some reason, this documentary series chose not to explore them. Rather, the experience was like reading a sales brochure. She clearly has every right to bridle at what she describes as her “stern” image. But unfortunately, she failed to do herself any helps with this guarded letdown of a series.

The Game Show

It had the potential to be the next cultural phenomenon – except even camper, with a famous star playing dead and a sharp-tongued personality managing her estate. What more could you ask for? As players battled it out, there was plenty of backstabbing and squabbling. But the rules quickly became bewildering: it’s even now too complicated to explain what precisely was happening. Even more regrettably, we only saw brief appearances of the star via filmed videos. The show ended up reeking of a production that was straining desperately to emulate something far greater than it.

Too Much

How do you succeed a show that captured a generation? The expectation was enormous for this starry romantic comedy about Jessica, a hopeful New Yorker who lands in London with a broken heart. The lead actress took her biggest role by the horns and was a delight to watch, reveling in Jane Austen levels of romantic notions. But it was all very glossy and, paradoxically, was not enough. Plus, the sheer amount of famous friends involved felt uncomfortable.

Mitchell & Webb Are Not Helping

Not even good enough to be ‘uneven’.

Given the smart inclusion of talented emerging comics, hopes were high. But unhappily, most of it fell flat. A particular sketch was a one-note joke milked to a dry pulp but repeated in every episode. One star seemed too ready to slip into a well-known irate mode. The behind-the-scenes sketches, meanwhile, simply inspired the thought that they should probably have remained in there a while longer.

The Twisted Tale of Amanda Knox

This retelling of the story of Amanda Knox was executive produced by Amanda Knox and pretty much exclusively presented the viewpoint of Amanda Knox. So, while there probably is an interesting drama to be made about the horrific 2007 murder, this was not it. The subject matter needed to be handled sensitively. Rather, the series struggled painfully to find the right tone, lurching from oddly breezy, slightly stylised farce to ultimately, real-life horror. Complex? Perhaps. A total mess? Absolutely.

Prime Target

We love the star … but did we believe him playing the most brilliant maths genius since, a man so intelligent he’s on the verge of a discovery that could destabilise society? No! This globe-trotting thriller about government agencies targeting – and killing off – intellectuals honestly got more absurd by the second. Silliness-by-numbers.

1000 Men and Me: The Bonnie Blue Story

This hagiography followed the content creator renowned for sexual exploits as she undertook her most extreme challenge yet. What on earth would motivate her? What we craved was way more interrogation of her actual psychology, plus those of the men in the line. They could at least have spoken to the legendary mum who appeared to drag her son out of the queue. What we got was disturbing shots and zero interrogation of her infamy whatsoever. It's staggering to consider, the documentary-maker has a teenage daughter too.

Rebecca Romero
Rebecca Romero

Elara is a seasoned gaming analyst with a passion for slot mechanics and player strategies, offering fresh perspectives on the UK casino scene.